{"id":43133,"date":"2026-03-26T06:02:11","date_gmt":"2026-03-26T05:02:11","guid":{"rendered":"https:\/\/inzaken.eu\/?p=43133"},"modified":"2026-03-26T06:04:07","modified_gmt":"2026-03-26T05:04:07","slug":"theatre-picasso","status":"publish","type":"post","link":"https:\/\/inzaken.eu\/index.php\/2026\/03\/26\/theatre-picasso\/","title":{"rendered":"Theatre Picasso"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.tate.org.uk\/art\/artists\/pablo-picasso-1767\">Pablo Picasso<\/a><\/strong><strong>&nbsp;was fascinated by performers and their ability to transform. He was inspired by the dancers, entertainers and bullfighters he painted. He borrowed from them to create his own public persona: Picasso, the Artist.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marking the centenary of his famous painting&nbsp;<a href=\"https:\/\/www.tate.org.uk\/art\/artworks\/picasso-the-three-dancers-t00729\"><em>The Three Dancers<\/em><\/a>, this exhibition, staged by celebrated contemporary artist&nbsp;<a href=\"https:\/\/www.tate.org.uk\/art\/artists\/wu-tsang-26032\">Wu Tsang<\/a>&nbsp;and author and curator Enrique Fuenteblanca, sheds new light on Picasso\u2019s work. They will transform the exhibition space into a theatre for displaying over 45 works by Picasso from Tate&#8217;s collection, alongside key European loans. This includes paintings, sculpture, textile and works on paper, some never seen in the UK before.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Through his persona, Picasso cultivated a myth surrounding himself as both a celebrated artist and an outsider. The way that he did this can be examined through the contemporary idea of \u2018performativity\u2019 &#8211; how words and actions can effect change and form identity. This persona was always fascinated by alternative lives and the tension between popular culture and the avant-garde. It accompanied him throughout his life and continues to shape how we imagine the role of the artist today.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"761\" height=\"1024\" src=\"https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2-761x1024.jpg\" alt=\"\" class=\"wp-image-43135\" srcset=\"https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2-761x1024.jpg 761w, https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2-223x300.jpg 223w, https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2-768x1034.jpg 768w, https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2-1141x1536.jpg 1141w, https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2-816x1098.jpg 816w, https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-2.jpg 1440w\" sizes=\"auto, (max-width: 761px) 100vw, 761px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Theatre Picasso is presented in The George Economou Gallery.<\/em>&nbsp;<em>In partnership with White &amp; Case. Also supported by the Huo Family Foundation. With additional support from the Theatre Picasso Exhibition Supporters Circle, Tate Americas Foundation and Tate Members.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Staged by Wu Tsang and Enrique Fuenteblanca with the collaboration of exhibition designer Lucie Rebeyrol from the studio Roll.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>17 September 2025 \u2013 12 April 2026<\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Images: 1) Pablo Picasso,&nbsp;<em>The Three Dancers<\/em>&nbsp;1925, Tate. \u00a9 Succession Picasso \/ DACS 2024<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.tate.org.uk\">https:\/\/www.tate.org.uk<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Theatre Picasso | Trailer | Tate\" width=\"616\" height=\"347\" src=\"https:\/\/www.youtube.com\/embed\/VhXZE9jhDpg?start=2&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Pablo Picasso&nbsp;was fascinated by performers and their ability to transform. He was inspired by the dancers, entertainers and bullfighters he painted. He borrowed from them to create his own public [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":43134,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-43133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-overig-land"],"jetpack_featured_media_url":"https:\/\/inzaken.eu\/wp-content\/uploads\/theatre-picasso-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/posts\/43133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/comments?post=43133"}],"version-history":[{"count":1,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/posts\/43133\/revisions"}],"predecessor-version":[{"id":43136,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/posts\/43133\/revisions\/43136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/media\/43134"}],"wp:attachment":[{"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/media?parent=43133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/categories?post=43133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/inzaken.eu\/index.php\/wp-json\/wp\/v2\/tags?post=43133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}